The very first Bangkok International Animation Film Festival, jointly organized by the Software Industry Promotion Agency and the Federation of National Film Associations of Thailand, aims to promote the Creative Economy concept.
Bangkok, 8 September 2009 — The Software Industry Promotion Agency (SIPA), a public organization, in cooperation with the Federation of National Film Associations of Thailand jointly announced the launch of Thailand’s very first ‘Bangkok International Animation Film Festival 2009’ which will be held during September 25 – 30, 2009, at Paragon Cineplex, Paragon Shopping Complex and at SF World Cinema, Central World.
Over 40 animation films from around the world are competing and will be shown during the festival.
The Bangkok International Animation Film Festival 2009 aims to provide a source of inspiration for youngsters to showcase their creative mind, and for new-genre entrepreneurs to apply their creativities in the commercial world, while at the same time, promoting the concept of “Creative Economy” to international audiences.
Presiding at the press conference, Information and Communications Technology Minister Ranongruk Suwanchawee highlighted the importance of Bangkok International Animation Film Festival 2009, “Animation films are based on cultural and social aspects and is part of the ‘Creative Economy’ concept. The upcoming Bangkok International Animation Film Festival in September hopes to be the venue for all business partners to develop and visualize their creativity. It will be a meeting place for talented members of the creative industries to further build on their businesses, creating employment, promoting ‘Thailand’ as the movie location, while seeking international cooperation to enhance our computer graphic and animation businesses to further build our film industry to the success level as seen in France and Korea.”
As for the activities during the festival, Dr Rungruang Limchoopatipa, President of the Software Industry Promotion Agency or SIPA said, “The main activities, apart from the various screenings, there will also be over 40 animation films from all over the world competing for the Feature and Short Animation Film Awards, including 5 animation films from the US, 11 from Europe, 12 from the Asia-Pacific, and 8 from Thailand.”
Furthermore, there will be lots of special sessions to explore the professional aspects of Thai animation and the digital content industries and the potential to add more value to such a creative industry. All of the above activities, including seminars, will be brought together in one forum to create the dynamic space for strengthening the development of Thai software and digital content technology, especially for the Animation Film industry.
OPENING & CLOSING FILMS
 |
YONA YONA PENGUIN — THE OPENING FILM
Director: Rintaro
Country: France, Japan
Year Of Production: 2009
Duration: 88 Minutes
Technique: 3D Animation in the Japanese Traditional Style
Synopsis:
Every night, Coco slips out of her house and explores, dressed in a special penguin suit — a present from her long-lost father. She's convinced that, one day, it will allow her to fly. "You told me penguins could fly... didn't you?" Since Coco was wearing the "special penguin suit", a Goblin kid Chaley misguidedly thought she was "the brave flightless bird" and took her to a strange underground world. Coco was very much welcomed in the Goblin Village. However, demons and Zammie — the chubby mystery boy, got in her way. Coco found out that the Goblins, once beloved by humans, were now in danger of being taken over as slaves by the emperor of darkness, Bucca-Boo. What is "the brave flightless bird"? Does anyone know what Zammie's true identity is? And after all, can Coco and Chaley save the Goblin village? |
| |
|
PONYO ON THE CLIFF — THE CLOSING FILM
Director: Hayao Miyazaki
Country: Japan
Year Of Production: 2007
Duration: 100 Minutes
Category: Feature Film
Technique: 2D Animation
Synopsis:
It tells the story of a young girl fish who defies her father's wishes and beliefs about the human world to live with the boy she loves. After covertly travelling to the surface by jellyfish, Ponyo becomes stranded near a house on a seaside cliff, where she is found and rescued by a human boy named Sosuke. Sosuke names her Ponyo, and takes her to his school in a bucket, and shows her to the little old ladies who live in the nursing home where his mother, Lisa, works. Imajine Sosuke's surprise when Ponyo speaks, and tells him that she likes him. It isn't long before Ponyo's father, Fujimoto, discovers that she is missing, and goes looking for her. Fujimoto is a kindly, yet somewhat xenophobic sea wizard, who oddly enough goes about in human form. He recovers Ponyo and returns to the sea with her, much to Sosuke's distress. He gives Ponyo a good talking to, but is disconcerted when she not only defies him, but begins to transform herself into a human. Fujimoto uses his magic to stop her, and essentially imprisons her. On the surface, there is a bittersweet moment when Sosuke and Lisa find out that his father, a crewman on a ship, is unable to return home that day. This leads to a series of testy messages from Lisa, delivered by Aldis lamp, but Sosuke manages to cheer her up, though he is still desolated by Ponyo's disappearance.
Ponyo's sisters, meanwhile, free her from Fujimoto's prison and help her to steal some of their father's magic, so that she can complete her transformation and escape to the surface. This has an immediate knock-on effect of causing a heavy sea storm above. In the midst of this storm, Ponyo and Sosuke are happily reunited. There follows a series of humorous vignettes with Ponyo not-quite-managing to learn to act human, mainly by copying Sosuke. In the morning, however, they discover that the town is flooded, and the citizens have had to take to boats. Ponyo helps Sosuke find a boat, and the two set off to find Lisa, who had left during the storm. The effects of Ponyo's stolen magic cause progressively worse effects, including knocking the moon out of its orbit. This eventually compells Ponyo's mother, a gentle giantess, to intervene and set things right. Sosuke and Lisa are re-united, but Ponyo is again recaptured and returned to fish form. This leads to a meeting between Sosuke and Ponyo's mother, where she gently asks him if he can still love Ponyo, even though she is a fish. Sosuke assures her that he loves Ponyo, no matter what her form is, and Ponyo's mother allows her to remain with Sosuke, which Fujimoto also grudgingly accepts. |
MEMBERS OF THE JURY
1. ANIMATION FEATURE FILM COMPETITION JURY
| |
|
|
|
|
 |
|
 |
Mr. Mike Wiluan
Singapore |
Mr. Regis Ghezelbash
France |
Mr. Petch Osathanugrah
Thailand |
| |
|
|
| |
|
|
| 2. SHORT ANIMATION FILM COMPETITION JURY |
| |
|
|
|
|
 |
|
 |
|
 |
Mr. Mark Oftedal
USA |
|
Mr. Nonzee Nimibutr
Thailand |
|
Mr. Dennis Chau
Hong Kong |
|
EVENT & ACTIVITIES
FILM SCREENING
| Date: |
September 25-30, 2009 |
| Venue: |
Paragon Cineplex, Siam Paragon Shopping Complex, SF World Cinema @ Central World |
| |
|
| OPENING CEREMONY |
| Date: |
September 25, 2009 |
| Time: |
18.00 – 22.00 hours |
| Venue: |
Infinicity Hall, Paragon Cineplex, Siam Paragon Shopping Complex |
| |
|
| THAI NIGHT |
| Date: |
September 26, 2009 |
| Time: |
19.00 – 22.00 hours |
| Venue: |
Siam Niramitr Theatre |
| |
|
| DIRECTOR NIGHT |
| Date: |
September 27, 2009 |
| Time: |
19.00 – 22.00 hours |
| Venue: |
Chatrium Suites Hotel, A Dusit Thani Hotel’s Partner |
| |
|
| AACI NIGHT (The Ace of Asian Creative Industry) |
| Date: |
September 28, 2009 |
| Time: |
18.00 – 20.00 hours |
| Venue: |
SF World Cinema @ Central World |
| Highlight: |
“Asian as One” Theme: the strong mutual cooperation amongst Asian animation industry hosted by SIPA |
| |
|
| PAYUTH NIGHT |
| Date: |
September 29, 2009 |
| Time: |
19.00 – 22.00 hours |
| Venue: |
Siam Pavalai Theatre, Paragon Cineplex, Siam Paragon Shopping Complex |
| Highlight: |
Tribute night to Payuth Ngaokrajang; a pioneer of Thai Animation Industry and Screening of his masterpiece “Sudsakorn” movie |
| |
|
| CLOSING CEREMONY |
| Date: |
September 30, 2009 |
| Time: |
18.00 – 21.00 hours |
| Venue: |
Chatrium Suites Hotel, A Dusit Thani Hotel’s Partner |
|
SEMINAR AND WORKSHOP
| Date: |
September 25, 2009 |
| Topic: |
Thai Animators in SIGGRAPH 2009 (What about 2010?) |
| Key Speakers: |
1. Sasapitt Rujirat
2. Phon Thiramongkol
3. Lee Alan Croudy |
| Time: |
13.30-15.30 hours |
| Venue: |
Chatrium Suites Hotel |
| Hosted by: |
SIGGRAPH |
| |
|
| Date: |
September 27, 2009 |
| Topic: |
Thai Animation Education at a Second Era |
| Key Speakers: |
1. Kriengkrai Supornsahasrungsri, Imagimax Co., Ltd.
2. Pitipong Netkeaw, DM Group
3. Pizzanu Kanongchaiyos, PH.D., Chulalongkorn University
4. Nattavut Seemontara, Rangsit University
5. Student Representatives |
| Time: |
10.00-12.00 hours |
| Venue: |
Chatrium Suites Hotel |
| Hosted by: |
Imagimax, DM Group, Chulalongkorn University, and Rangsit University |
| |
|
| Date: |
September 28, 2009 |
| Topic: |
How the Government Sector Supports the Animation Industry |
| Key Speakers: |
Mr.Rungruang Limchoopatipa
Director of Software Industry Promotion Agency (Public Organization) |
| Time: |
10.00-12.00 hours |
| Venue: |
Chatrium Suites Hotel |
| Hosted by: |
Software Industry Promotion Agency (Public Organization)
|
| |
|
| Date: |
September 29, 2009 |
| Topic: |
The Future of Feature Films: 3D Stereoscopic and More |
| Key Speakers: |
1. Matthew Clayton Dewees Regional Application Specialist,
Autodesk Media & Entertainment
2. Sookapat Niyomthai General Manager, Comgraph Co., Ltd. |
| Time: |
10.00-12.00 hours |
| Venue: |
Chatrium Suites Hotel |
| Hosted by: |
Autodesk & Comgraph |
|
KEY VISUAL CONCEPT
 |
The Bangkok International Animation Film Festival 2009’s Key Visual design was inspired by the 1970’s period when Thai animation began. Its design was also created to pay tribute to Payuth Ngao-krajang, the Master of Thai Animation. The Key Visual’s designer conveys this by integrating the highlighted feature of Payut Ngao-krajang with artistic skill and imagination. The diversity of geometric shapes and fresh colours illustrate the endless journey of the Thai animation community. |
|